Novel – Wed Him Before You Bed Him
Author – Sabrina Jeffries
ISBN-13: 9781416560821
As a reader of the Sabrina Jeffries 'School of Heiresses' series, I followed the blossoming relationship between Michael and Charlotte from the outset. And while I usually try not to over-anticipate a series' final novel, I heartily anticipated this story…
You don’t have to read much farther to see where this is going...
Of course, I was utterly disappointed!
Ms. Jefferies captured me from the start of the book, and through much of the first half, with interesting characters, palpable tension, and parrying dialogue. But as soon as the Bow Street Runner (BSR) shows up at Michael's door accusing him of murder (just after he has bedded the lovely Charlotte), I wanted to drown the book in the tub along with Michael's long dead wife...Ugh.
These characters had enough intrigue and mixed emotions driving them, and their story (unrequited love, poor and hasty judgment, revenge, etc.), without incorporating an external (and convoluted) plot line! There were so many peripheral characters - many of which we met in previous novels. I could have cared less about them. Their addition only meandered and added very little (if anything) to the plot.
Surely, Ms. Jeffries could have found another, less external, plot device to expose Cousin Michael's dastardly plan to humiliate Charlotte? Instead we get a Bow Street Runner with a grudge against the ton, a scheming brother-in-law with gambling debts, a ne'er do well footman, a profligate but-not-so profligate brother, a nasty real estate developer, and last, but not least, a loan shark from Spittalfields. YIKES. Yet, the only person to be accused of murder is our hero - now that's believable.
I had hoped that 'Bed Him' would be the worth the build-up from all the previous books. But, the lesson I learned (again), apart from being reminded that I hate unnecessary, external plot-lines, is that I should not hold my breath in expectation of the final series' book being anything greater than mediocre.
Happy Reading,
FindingAlpha
Monday, September 28, 2009
Monday, September 21, 2009
River Lady - Save Me I'm Drowning!
Novel – River Lady
Author – Jude Deveraux
ISBN-13: 9780671739782
My fellow blogger, Swampy, recommended Jude Deveraux' 'River Lady' to me. In fact she included it on her favorite list of romances. Swampy notes that while Deveraux' plot becomes convoluted towards the end she manages to be an entertaining read.
Boy was she right!
With a Cinderella/rags-to-riches story line, I started off the book with only happy thoughts. I was charmed by the heroine's ability to pull herself above her station after being dragged pregnant across a chapel floor only to be judged (wantingly) by her social and economic superiors. Our hero does not wish to be married to Leah for he is in love with a prettier, needier woman than our heroine. But, of course, he marries her and summarily leaves town for a year. When he returns Leah is now beautifully turned out and has warmed her way into his family's heart - no thanks to him. And, so they set off for his farmhouse in Kentucky to make a home. Somehow his former fiancé (who he still fancies himself in love with) tags along with them on their journey. Trials and tribulations, which would put out any frontier woman (besides our heroine, of course), ensue. Leah proves herself cunning and worthy while the other woman proves herself useless. Soon our hero begins to see the folly of not loving Leah.
All is well....
Great.
Wonderful.
Entertaining read.
Loved it...
Oh wait....I still have to finish the last 1/3 of the book! I judiciously trudge onward (Swampy's caveat echoing in my thoughts), but it's too late. I am lost in a mess of incoherent plot within pages of our author bringing the two leads together. The plot unfolds to include a bad guy, a nefarious older brother, two really big guys who don't talk, but who are really smart, and who later go off to have a threesome with each other (at least that is what I construed...ick). And then even later in the book the plot is made even more incoherent by the addition of another evil person who goes about besmirching our heroine's good name. This development is masterminded by some guy menacingly named "the Dancer" (what a stupid name for an evil dude if I ever read one) for reasons I still have yet to determine.
Of course, all's well that ends well with the ladies needing to be rescued because they were apparently too senseless not to put themselves in a situation where they might be killed. In the end, it is determined that our heroine really does need saving after all.
Long of the short: Should you read this book you really should stop right after our hero announces he is going to stay married our heroine (I enjoyed it up to this point). After that just put the book down. The final 1/3 of the book fails to make much sense, is completely contrived and utterly ridiculous!
Happy Reading,
FindingAlpha
Author – Jude Deveraux
ISBN-13: 9780671739782
My fellow blogger, Swampy, recommended Jude Deveraux' 'River Lady' to me. In fact she included it on her favorite list of romances. Swampy notes that while Deveraux' plot becomes convoluted towards the end she manages to be an entertaining read.
Boy was she right!
With a Cinderella/rags-to-riches story line, I started off the book with only happy thoughts. I was charmed by the heroine's ability to pull herself above her station after being dragged pregnant across a chapel floor only to be judged (wantingly) by her social and economic superiors. Our hero does not wish to be married to Leah for he is in love with a prettier, needier woman than our heroine. But, of course, he marries her and summarily leaves town for a year. When he returns Leah is now beautifully turned out and has warmed her way into his family's heart - no thanks to him. And, so they set off for his farmhouse in Kentucky to make a home. Somehow his former fiancé (who he still fancies himself in love with) tags along with them on their journey. Trials and tribulations, which would put out any frontier woman (besides our heroine, of course), ensue. Leah proves herself cunning and worthy while the other woman proves herself useless. Soon our hero begins to see the folly of not loving Leah.
All is well....
Great.
Wonderful.
Entertaining read.
Loved it...
Oh wait....I still have to finish the last 1/3 of the book! I judiciously trudge onward (Swampy's caveat echoing in my thoughts), but it's too late. I am lost in a mess of incoherent plot within pages of our author bringing the two leads together. The plot unfolds to include a bad guy, a nefarious older brother, two really big guys who don't talk, but who are really smart, and who later go off to have a threesome with each other (at least that is what I construed...ick). And then even later in the book the plot is made even more incoherent by the addition of another evil person who goes about besmirching our heroine's good name. This development is masterminded by some guy menacingly named "the Dancer" (what a stupid name for an evil dude if I ever read one) for reasons I still have yet to determine.
Of course, all's well that ends well with the ladies needing to be rescued because they were apparently too senseless not to put themselves in a situation where they might be killed. In the end, it is determined that our heroine really does need saving after all.
Long of the short: Should you read this book you really should stop right after our hero announces he is going to stay married our heroine (I enjoyed it up to this point). After that just put the book down. The final 1/3 of the book fails to make much sense, is completely contrived and utterly ridiculous!
Happy Reading,
FindingAlpha
Monday, September 14, 2009
With Seduction in Mind...at Some Point...in the Near Future
Novel – With Seduction in Mind
Author – Laura Lee Gurkhe
ISBN-13: 9780061456831
Similarly, the heroine's ability to write page after page of drivel also resonated. I find that I am most adept at producing drivel! And similar to her, I can justify writing crap because at least I am writing something. In my mind, it was clear who these characters were and I never felt that these characters strayed from their intentions.
However, I was disappointed by how slowly the book built up tension. Let me correct that...there was tension from the outset for these characters, but not tension of the romantic sort. And once the romantic tension became apparent, it dragged. It seemed to me that Ms. Gurhke waxed on about the hardships of writing (or not writing) and I became bored. I found myself skipping paragraphs and sometimes scenes because the story failed to move forward. Once the heroine decided to "seduce" our hero with kisses, the story moved along at a nice pace, but getting to that rhythm was sometimes a bit too painful, too brooding, and definitely too much philosophizing about the trials and tribulations of the writing process. We (or at least I) got it already.
Take, for instance, that were teased by the hero's desire to kiss our heroine. In three separate instances the reader thinks she might get some respite and a little passion. But no, she must wait. Maybe this waiting was how the author tried to build conflict. Tension and conflict is often how authors raise the stakes for their characters. But when authors tease the readers with these tension filled scenes time and time again, but then don’t deliver to the reader’s heightened need for resolution, it is distracting. I kept expecting him to pull her into his arms and kiss her passionately…but he didn’t…Okay, I exaggerate…but when he did kiss her it was well past the time that I had given up hope that he would!
Long of the short, is that I found the pacing to be "off", but when we are finally wrapped into the seduction (the 2nd half of the book), the author corrects for her pacing nicely. This makes me wonder if Ms. Gurhke had her own “inspiration” for the latter part of the book...
Ultimately I enjoyed reading this novel and would recommend it.
Happy Reading,
FindingAlpha
Author – Laura Lee Gurkhe
ISBN-13: 9780061456831
It took quite a while for me to get into this book, but I have to admit that there were several moments were I was captivated by the scenes between hero and heroine. As an aspiring writer, I sympathized with both characters. The moments where our hero described struggling with writing and the times when nothing came to him yet he continued to toil were very close to home. His troubles were my troubles, and they resonated with me.
Similarly, the heroine's ability to write page after page of drivel also resonated. I find that I am most adept at producing drivel! And similar to her, I can justify writing crap because at least I am writing something. In my mind, it was clear who these characters were and I never felt that these characters strayed from their intentions.
However, I was disappointed by how slowly the book built up tension. Let me correct that...there was tension from the outset for these characters, but not tension of the romantic sort. And once the romantic tension became apparent, it dragged. It seemed to me that Ms. Gurhke waxed on about the hardships of writing (or not writing) and I became bored. I found myself skipping paragraphs and sometimes scenes because the story failed to move forward. Once the heroine decided to "seduce" our hero with kisses, the story moved along at a nice pace, but getting to that rhythm was sometimes a bit too painful, too brooding, and definitely too much philosophizing about the trials and tribulations of the writing process. We (or at least I) got it already.
Take, for instance, that were teased by the hero's desire to kiss our heroine. In three separate instances the reader thinks she might get some respite and a little passion. But no, she must wait. Maybe this waiting was how the author tried to build conflict. Tension and conflict is often how authors raise the stakes for their characters. But when authors tease the readers with these tension filled scenes time and time again, but then don’t deliver to the reader’s heightened need for resolution, it is distracting. I kept expecting him to pull her into his arms and kiss her passionately…but he didn’t…Okay, I exaggerate…but when he did kiss her it was well past the time that I had given up hope that he would!
Long of the short, is that I found the pacing to be "off", but when we are finally wrapped into the seduction (the 2nd half of the book), the author corrects for her pacing nicely. This makes me wonder if Ms. Gurhke had her own “inspiration” for the latter part of the book...
Ultimately I enjoyed reading this novel and would recommend it.
Happy Reading,
FindingAlpha
Wednesday, September 9, 2009
The Romances I will Never Loan Out
FindingAlpha and I were discussing favorite books, and I thought a great way to think about my favorite RN's was in terms of rereading; how often, and do I still enjoy them after years and years. So here's my list of tried and true, in no particular order. Many of the novels are earlier works of established romance writers. This list will, of course, grow as time goes on. Hmmm, maybe our next blog topic should be, "Romance Novelists on the Rise"?
Slightly Dangerous, Mary Balogh (2004) -- The last book in the Slightly series, and still my favorite. This is basically Pride & Prejudice, Mary Balogh style, and I've probably read it five times! Wulfric, The Duke is at least superficially and Alpha male, but at heart, he's a sensitive family-man.
Thief of Dreams, Mary Balogh (1998) -- I think Balogh may have been transitioning out of the short-form Regency when she wrote ToD, but I have reread it many times and always enjoyed the inner conflict of the hero, his redemption, and the heroine's strength of will in dealing with her somewhat insane husband (who is actually the hero). I don't think Balogh's strength is the love scene, but she does create great inner conflict between the leads, which I always really enjoy.
Three Little Secrets, Liz Carlyle (2006) -- I love novels where the hero and heroine had been in love as teens and meet again and fall back in love, and this book really delivers on the whole star-crossed lovers thing. External conflict as youths, internal conflict as adults, and throw in a secret love child! I've enjoyed many of Carlyle's novels for the intensity of the heroes and the passionate fights, but this one is definitely at the top of my list for her.
Angel, Johanna Lindsey (1992) -- Johanna Lindsey was one of the first novelists I can remember reading, and she keeps writing, and writing. In general, though I'm not a big fan of westerns, I've always really enjoyed Lindsey's western novels, and "Angel" is my favorite. It's really funny and sweet, and includes what Lindsey does best, a "dump" scene i.e. the hero leaves the heroine in the dust. I think other romance readers agree, because the book is still in print and gets 35 out of 41 5-star ratings on Amazon.
Dreaming of You, Lisa Kleypas (1994) -- I loooove Lisa Kleypas, not only because she's a fellow Wellesley grad, but because she writes some of the sexiest, most passionate novels today. She has few duds, writing page-turner stories, and "Dreaming of You" is still one of my favorites. As often found in Kleypas novels, the hero is a self-made man, and the heroine is sort of a goody-two-shoes (but a spunky one). There's tons of angst and pent-up passion. Everything a good romance novel should be.
Something Wonderful, Judith McNaught (1991) -- Curse you, Judith McNaught! Why, oh why, did you give up on historicals?!? Hands down, McNaught's historical romances are some of the best I have read. Some of her contemporaries are pretty good, but there's just no comparison. I picked "Something Wonderful" sort of arbitrarily, since "Once and Always," "Almost Heaven," and "Until You" are all great. Even "Whitney My Love," if you can get past the rapiness and stalkerishness of the main character, is still a pretty great read. Sigh...I will forever mourn the loss of Judith's historical romance writing career.
Highland Velvet, Jude Deveraux (1991) -- Similarly to Judith McNaught, Jude Deveraux has gotten away from writing historicals, which in my opinion, were her strongest novels. Highland Velvet is the third in the ridiculously titled Velvet series, and my favorite, due to the strength of the heroine, Bronwyn. There was a little political intrigue in the novel, but the internal conflict was as strong as the external conflict, which I always prefer. As frequently happens in Devereaux novels, the ending often involves some convoluted kidnapping, shoot-out, duel, but the character development and romance leading up to the ending is worth the last few pages of belief suspension.
River Lady, Jude Deveraux (1991) -- The set-up for this novel is really what makes this such a fun read, a classic Cinderella arc, but set in the frontier of Kentucky. See above for the warning about the convoluted endings that almost ruins Deveraux's novels. There are actually several more Deveraux historicals I have enjoyed rereading, "Wishes," "The Princess," "Kingdom of Dreams," being among her strongest.
The Viscount Who Love Me, Julia Quinn (2006) -- Julia Quinn's Bridgerton series is a truly excellent series. Quinn's writing, especially of dialogue is witty and hilarious. TVWLM is still my favorite in the series, followed closed by "The Duke and I," for its hilarious compromise scene, spunky heroine, and brooding, but lovable hero.
Much Ado About You, Eloisa James (2004) -- In reality, I've read and reread all of Eloisa's (yes, I call her by first name) novels too many times to count. Almost all of her novels are excellent for one reason or another -- she's just a remarkably gifted writer. I'm frightened that she will stop writing romances in favor of "more serious" work, but if I had to pick one book that I would take with me on a desert island for sheer enjoyment, these days it would be "Much Ado About You. " It's the first novel in the Sisters series. Lucius Felton is just a lovely hero (really more of a beta than an alpha in my opinion). It's a very romantic novel, that will make you sigh and sniffle a bit. A close second for the number of times I've reread it is, "Fool for Love."
This Heart of Mine, Susan Elizabeth Phillips (2002) -- I'm really not a big fan of contemporary romances. Alpha males just don't really fit into our modern expectations of male behavior, but for some reason, Phillips makes it work. Many of her leads are football players and they can seem to pull-off the macho stuff believably. My favorite SEP novel is "This Heart of Mine," but the whole Chicago Stars series is really good reading. I think this author is sort of taking off now because I've noticed a lot of her stuff is being reprinted.
An Affair to Remember, Karen Hawkins (2002) -- Karen Hawkins really wowed me with some of her earlier books, most notably "An Affair to Remember," and its prequel, "The Seduction of Sara," (terrible title!). I have to admit, I've been disappointed with some of her more recent books. What makes AAtR rereadable to me is the strength and unconventionality of the heroine (she's a proponent of women's lib and birth control), and of her refusal to be the hero's mistress. The hero, of course, can't marry her because he's trying to improve the family name, so he's looking for a respectable wife, not a "bluestocking."
Dangerous to Love, Rexanne Becnel (1997) -- Becnel has sadly disappeared from bookshelves, but she wrote several really terrific historicals, most notably, "Dangerous to Love," and "The Bridemaker." I'm a sucker for the half-gypsy Lord heroes, and Becnel's hero in DtL is a true Alpha. Becnel seems to be a Harlequin Next writer, whatever that is, but I really hope she comes back to writing historicals.
A Kiss to Remember, Teresa Medeiros (2002) -- I'm not a huge fan of Medeiros, finding her books too hit and miss, but I really enjoyed AKtR. Despite having an amnesia story-line (which I loathe), the book is driven by heaps of internal conflict, and has a solid secondary romance I really enjoyed.
To Pleasure a Prince, Sabrina Jeffries (2005) -- In general, the Prince series is excellent, but out of the three, TPaP was my favorite. The hero is totally an alpha, but the conflict comes not from his idiocy, but from a personal problem of the heroine's, which had nothing to do with past transgressions or terrible secrets. I won't give away the source of the conflict, but it was certainly original.
The Saint, Madeline Hunter (2003) -- Except for the dreadfully depressing, "The Romantic," almost all of the books in the "Dueling Society" series were excellent. Because I'm picking favorites, "The Saint" is on this list. Hunter's books are not easy reads; they tend to be a bit on the heavy side, a bit complex and depressing. I feel like "The Saint" is one of her more uplifting reads, and despite the sound of it, I'm actually a big fan.
Slightly Dangerous, Mary Balogh (2004) -- The last book in the Slightly series, and still my favorite. This is basically Pride & Prejudice, Mary Balogh style, and I've probably read it five times! Wulfric, The Duke is at least superficially and Alpha male, but at heart, he's a sensitive family-man.
Thief of Dreams, Mary Balogh (1998) -- I think Balogh may have been transitioning out of the short-form Regency when she wrote ToD, but I have reread it many times and always enjoyed the inner conflict of the hero, his redemption, and the heroine's strength of will in dealing with her somewhat insane husband (who is actually the hero). I don't think Balogh's strength is the love scene, but she does create great inner conflict between the leads, which I always really enjoy.
Three Little Secrets, Liz Carlyle (2006) -- I love novels where the hero and heroine had been in love as teens and meet again and fall back in love, and this book really delivers on the whole star-crossed lovers thing. External conflict as youths, internal conflict as adults, and throw in a secret love child! I've enjoyed many of Carlyle's novels for the intensity of the heroes and the passionate fights, but this one is definitely at the top of my list for her.
Angel, Johanna Lindsey (1992) -- Johanna Lindsey was one of the first novelists I can remember reading, and she keeps writing, and writing. In general, though I'm not a big fan of westerns, I've always really enjoyed Lindsey's western novels, and "Angel" is my favorite. It's really funny and sweet, and includes what Lindsey does best, a "dump" scene i.e. the hero leaves the heroine in the dust. I think other romance readers agree, because the book is still in print and gets 35 out of 41 5-star ratings on Amazon.
Dreaming of You, Lisa Kleypas (1994) -- I loooove Lisa Kleypas, not only because she's a fellow Wellesley grad, but because she writes some of the sexiest, most passionate novels today. She has few duds, writing page-turner stories, and "Dreaming of You" is still one of my favorites. As often found in Kleypas novels, the hero is a self-made man, and the heroine is sort of a goody-two-shoes (but a spunky one). There's tons of angst and pent-up passion. Everything a good romance novel should be.
Something Wonderful, Judith McNaught (1991) -- Curse you, Judith McNaught! Why, oh why, did you give up on historicals?!? Hands down, McNaught's historical romances are some of the best I have read. Some of her contemporaries are pretty good, but there's just no comparison. I picked "Something Wonderful" sort of arbitrarily, since "Once and Always," "Almost Heaven," and "Until You" are all great. Even "Whitney My Love," if you can get past the rapiness and stalkerishness of the main character, is still a pretty great read. Sigh...I will forever mourn the loss of Judith's historical romance writing career.
Highland Velvet, Jude Deveraux (1991) -- Similarly to Judith McNaught, Jude Deveraux has gotten away from writing historicals, which in my opinion, were her strongest novels. Highland Velvet is the third in the ridiculously titled Velvet series, and my favorite, due to the strength of the heroine, Bronwyn. There was a little political intrigue in the novel, but the internal conflict was as strong as the external conflict, which I always prefer. As frequently happens in Devereaux novels, the ending often involves some convoluted kidnapping, shoot-out, duel, but the character development and romance leading up to the ending is worth the last few pages of belief suspension.
River Lady, Jude Deveraux (1991) -- The set-up for this novel is really what makes this such a fun read, a classic Cinderella arc, but set in the frontier of Kentucky. See above for the warning about the convoluted endings that almost ruins Deveraux's novels. There are actually several more Deveraux historicals I have enjoyed rereading, "Wishes," "The Princess," "Kingdom of Dreams," being among her strongest.
The Viscount Who Love Me, Julia Quinn (2006) -- Julia Quinn's Bridgerton series is a truly excellent series. Quinn's writing, especially of dialogue is witty and hilarious. TVWLM is still my favorite in the series, followed closed by "The Duke and I," for its hilarious compromise scene, spunky heroine, and brooding, but lovable hero.
Much Ado About You, Eloisa James (2004) -- In reality, I've read and reread all of Eloisa's (yes, I call her by first name) novels too many times to count. Almost all of her novels are excellent for one reason or another -- she's just a remarkably gifted writer. I'm frightened that she will stop writing romances in favor of "more serious" work, but if I had to pick one book that I would take with me on a desert island for sheer enjoyment, these days it would be "Much Ado About You. " It's the first novel in the Sisters series. Lucius Felton is just a lovely hero (really more of a beta than an alpha in my opinion). It's a very romantic novel, that will make you sigh and sniffle a bit. A close second for the number of times I've reread it is, "Fool for Love."
This Heart of Mine, Susan Elizabeth Phillips (2002) -- I'm really not a big fan of contemporary romances. Alpha males just don't really fit into our modern expectations of male behavior, but for some reason, Phillips makes it work. Many of her leads are football players and they can seem to pull-off the macho stuff believably. My favorite SEP novel is "This Heart of Mine," but the whole Chicago Stars series is really good reading. I think this author is sort of taking off now because I've noticed a lot of her stuff is being reprinted.
An Affair to Remember, Karen Hawkins (2002) -- Karen Hawkins really wowed me with some of her earlier books, most notably "An Affair to Remember," and its prequel, "The Seduction of Sara," (terrible title!). I have to admit, I've been disappointed with some of her more recent books. What makes AAtR rereadable to me is the strength and unconventionality of the heroine (she's a proponent of women's lib and birth control), and of her refusal to be the hero's mistress. The hero, of course, can't marry her because he's trying to improve the family name, so he's looking for a respectable wife, not a "bluestocking."
Dangerous to Love, Rexanne Becnel (1997) -- Becnel has sadly disappeared from bookshelves, but she wrote several really terrific historicals, most notably, "Dangerous to Love," and "The Bridemaker." I'm a sucker for the half-gypsy Lord heroes, and Becnel's hero in DtL is a true Alpha. Becnel seems to be a Harlequin Next writer, whatever that is, but I really hope she comes back to writing historicals.
A Kiss to Remember, Teresa Medeiros (2002) -- I'm not a huge fan of Medeiros, finding her books too hit and miss, but I really enjoyed AKtR. Despite having an amnesia story-line (which I loathe), the book is driven by heaps of internal conflict, and has a solid secondary romance I really enjoyed.
To Pleasure a Prince, Sabrina Jeffries (2005) -- In general, the Prince series is excellent, but out of the three, TPaP was my favorite. The hero is totally an alpha, but the conflict comes not from his idiocy, but from a personal problem of the heroine's, which had nothing to do with past transgressions or terrible secrets. I won't give away the source of the conflict, but it was certainly original.
The Saint, Madeline Hunter (2003) -- Except for the dreadfully depressing, "The Romantic," almost all of the books in the "Dueling Society" series were excellent. Because I'm picking favorites, "The Saint" is on this list. Hunter's books are not easy reads; they tend to be a bit on the heavy side, a bit complex and depressing. I feel like "The Saint" is one of her more uplifting reads, and despite the sound of it, I'm actually a big fan.
Monday, September 7, 2009
Did Something Happen in London?
Novel – What Happens in London
Author – Julia Quinn
ISBN-13 – 9780061491887
First off, let me say that I think Julia Quinn is a wonderfully entertaining and witty writer. There were several times while reading this book that I laughed aloud...
But I had two major issues with this book:
1. Poor Pacing
2. Waffling External Conflict
My first major issue with this book was pacing. The main characters didn't meet until after page 50, they didn't kiss until page 248 (if I remembered correctly), and they didn't finally get it on until page 300-something! Why Ms. Quinn even bothered to have them shack up so late in the plot baffled me. Why not wait until they married each other? I am sure that the author could have written something equally as entertaining and humorous to get the reader to their wedding vows...and finally into the bedroom. But had I had not been lured in by her sharp writing style and humor I would have slammed the book shut by page 50!
Secondly, I was disappointed that that there was no real conflict between the characters. The whole 'did he kill his fiancé' bit was worked out by page 150 and the Russian prince was obviously a non-issue because our heroine admitted that she did not like him herself fairly early on. The main characters have committed to love and marriage, at least theoretically, before they even sleep with one another. And then, for some reason which I have yet to determine, the author decided to include a third party conflict to wrap everything up. While the heroine displayed great gumption, and our hero was determined to save the day, this external conflict doesn't reveal anything about the characters to us and it only slowed the plot. If the conflict was needed to elicit character then why wasn't it included earlier to bring the characters closer together? At the point our heroine is abducted, we already know that that our main characters were in love with each other, so why include the conflict? The external conflict added little to our characters realizing anything about themselves and failed to move the plot along significantly.
Ultimately, I would actually recommend reading this book. I just think that readers should be aware of its pitfalls. Surely I am harping, but that is what I love to do! One of these days I will write my own book and it will surely be PERFECT!
Like I said, I enjoyed reading it. I just wanted more - more conflict, more of the characters together bantering (Ms. Quinn writes great dialogue here), more pulling each other into alcoves, and less external conflict without reason. So all in all, "London" made me laugh and had one of the more original and romantic proposals of the many romance novels that I have read recently.
Happy Reading,
FindingAlpha
Author – Julia Quinn
ISBN-13 – 9780061491887
First off, let me say that I think Julia Quinn is a wonderfully entertaining and witty writer. There were several times while reading this book that I laughed aloud...
But I had two major issues with this book:
1. Poor Pacing
2. Waffling External Conflict
My first major issue with this book was pacing. The main characters didn't meet until after page 50, they didn't kiss until page 248 (if I remembered correctly), and they didn't finally get it on until page 300-something! Why Ms. Quinn even bothered to have them shack up so late in the plot baffled me. Why not wait until they married each other? I am sure that the author could have written something equally as entertaining and humorous to get the reader to their wedding vows...and finally into the bedroom. But had I had not been lured in by her sharp writing style and humor I would have slammed the book shut by page 50!
Secondly, I was disappointed that that there was no real conflict between the characters. The whole 'did he kill his fiancé' bit was worked out by page 150 and the Russian prince was obviously a non-issue because our heroine admitted that she did not like him herself fairly early on. The main characters have committed to love and marriage, at least theoretically, before they even sleep with one another. And then, for some reason which I have yet to determine, the author decided to include a third party conflict to wrap everything up. While the heroine displayed great gumption, and our hero was determined to save the day, this external conflict doesn't reveal anything about the characters to us and it only slowed the plot. If the conflict was needed to elicit character then why wasn't it included earlier to bring the characters closer together? At the point our heroine is abducted, we already know that that our main characters were in love with each other, so why include the conflict? The external conflict added little to our characters realizing anything about themselves and failed to move the plot along significantly.
Ultimately, I would actually recommend reading this book. I just think that readers should be aware of its pitfalls. Surely I am harping, but that is what I love to do! One of these days I will write my own book and it will surely be PERFECT!
Like I said, I enjoyed reading it. I just wanted more - more conflict, more of the characters together bantering (Ms. Quinn writes great dialogue here), more pulling each other into alcoves, and less external conflict without reason. So all in all, "London" made me laugh and had one of the more original and romantic proposals of the many romance novels that I have read recently.
Happy Reading,
FindingAlpha
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